The first film version of Invasion
of the Body Snatchers was released in 1956, at the height of McCarthyist
paranoia about Communism. Mary Shelley’s Frankenstein
was written in the early 19th Century, during the period of mass
scientific, philosophical and political development known as the Enlightenment,
and most obviously after the work of Luigi Galvani in the 1790s. What people
want to write and consume as media often reflects in some way the social and
political events of the time.
Of course, it is not necessary to produce work based on these
events, even in allegorical form. There are many writers who write personal
things, whether they be emotional exorcisms or stories based on the principle
“I like unicorns, I like glitter, I like mage wars, lets write something about
that” or anything in between. There are writers who write really weird,
experimental stuff which features puns in multiple languages and is probably
best appreciated with some heavy-duty OTC painkillers in case of headaches.
Of course, it is impossible to not have any influences of the
events of one’s time. Even if you were to spend most of the day in one’s room
and write, much like Emily Dickinson, you will have some outside influences
from communications to the view outside your window. It’s up to the writer as
an individual whether they confront these influences directly in their work or
not.
(You probably will though. You, and by extension your
writing, are shaped by the social and political events of your time. It’s just
not necessary to put it in there deliberately – and in the case of some
writers, they probably shouldn’t.)
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